The Flood
Reviewed By Elias Stimac
May 25, 2001
Presented by Prospect Theater Company at the Flamboyán
Theatre
in the Clemente Soto Veléz Cultural Center, 107 Suffolk St.,
NYC,
May 17-27.
Peter Mills and Cara Reichel offer a stark and stirring portrayal
of courage and conviction in "The Flood." This study of
the anticipation and aftermath of a natural disaster features down-to-earth
dialogue and situations that give the show a slice-of-life quality
rarely found in the musical theatre genre.
Based loosely on events that took place in Illinois in 1993, the
plot follows a group of local merchants and members of the community
of Meyerville, a fictitious town in the Midwest gearing up to face
a potential flooding of their farmland. Despite the impending storm,
these neighbors and friends are determined to maintain their daily
routines, working and socializing and courting with one another.
But the rising river will not be ignored, and soon the townspeople
must band together to protect their possessions, their dreams, and
themselves.
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Musical director Mills and director Reichel collaborated
on the score as well as the book. The sensitive solos and duets subtly
hit their mark, while the vigorous group numbers wash over the audience
with explosions of emotion and honesty. Outstanding songs include
"One Hundred Years," "Runaways," and "From
Here."
They have also cast a solid group of actor-singers. Richard Todd Adams
is quietly persuasive as a prosperous but kind-hearted landowner.
Lawrence Brustofski brings a stern moodiness to the role of a stubborn
neighbor. Jennifer Blood and Kate Bradner are compelling as his two
strong-willed daughters, and Gavin Creel is invigorating as the restless
young man who comes between them. Mary Mossberg delivers concern and
conviction as a woman torn between the promise of love and a life
on her own. Like the community it portrays, the entire acting ensemble
forms a strong bond on stage.
Technical support by Sarah Rosa (set), Jiyoiun Chang (lighting), David
Kaley (costumes), and Katie Oman (props) complete the compelling stage
picture. |